The Name of the Rose
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By Umberto Eco (2014)
In 1327, finding his sensitive mission at an Italian abbey further complicated by seven bizarre deaths, Brother William of Baskerville turns detective.
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A novel that takes medieval scholarship seriously on its own terms — Eco does not condescend to the period or modernise it for accessibility. The detective structure is secondary to the intellectual substance, which will frustrate some readers and delight others. I am in the latter category. The monastery as a world is rendered with extraordinary material precision. The Latin passages are unapologetically untranslated.